purple autumn dress Tang Dynasty Spring/Autumn Clothes Purple Ruqun Dress
SKU: 81736763773
purple autumn dress

purple autumn dress Tang Dynasty Spring/Autumn Clothes Purple Ruqun Dress

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Description

purple autumn dress Tang Dynasty Spring/Autumn Clothes Purple Ruqun DressThe system of Tang Dynasty women's Hanfu (618 907 AD) combined traditional ritual norms with inclusive cultural traits, absorbing Hu style elements while preserving Hanfu's essencethis integration is well documented in The New Book of Tang: Records of Chariots and Costumes. It had three core styles reflecting social roles and daily needs: 1. Ruqun (Core Style of Tang Women's Hanfu) As the most common style, Ruqun consisted of a short jacket ("ru") and

The system of Tang Dynasty women's Hanfu (618-907 AD) combined traditional ritual norms with inclusive cultural traits, absorbing Hu-style elements while preserving Hanfu's essence—this integration is well-documented in The New Book of Tang: Records of Chariots and Costumes. It had three core styles reflecting social roles and daily needs:

1. Ruqun (Core Style of Tang Women's Hanfu)

As the most common style, Ruqun consisted of a short jacket ("ru") and a long skirt ("qun"). The ru had diverse collars (cross-collar, front-opening) and sleeve widths: narrow sleeves (Hu-influenced) for commoners’ daily work, wide sleeves for nobles’ elegance. The qun often used "po qun" (segmented skirt) design for fullness; nobles wore silk skirts in bright hues (crimson, emerald) with gold embroidery, while commoners used linen in plain white/gray.

2. Banbi (Casual Outer Garment)

A short-sleeved (elbow-length) outer wear, Banbi paired with Ruqun. Its compact design (Hu-style origin) suited daily activities like weaving, favored by both nobles and commoners. Nobles chose thin silk, commoners coarse cloth.

3. Pibo (Essential Accessory)

A lightweight silk scarf, Pibo draped over shoulders. Nobles used brocaded Pibo for ceremonial occasions, commoners plain ones for daily wear—adding grace to the ensemble.

Overall Characteristics

  • Hierarchical distinction: Fabrics/colors signaled status (silk vs. linen, bright vs. plain).
  • Han-Hu integration: Narrow sleeves, Banbi reflected cultural openness.
  • Practicality & ritualism: Daily styles (Banbi-Ruqun) met needs, while embroidered Ruqun served ceremonies.

About this Tang Dynasty Spring/ Autumn Hanfu

“Wandering in the morning mist among lilac bushes, carries the soft and gentle aura of a quiet maiden.” This style cleverly blends the tender and elegant charm of morning-mist lilacs with the graceful temperament of Tang Dynasty Hanfu in this top-and-skirt set, choosing the soft "lilac purple" as the main tone to fully bring out the gentle and delicate charm of women.

Beizi: This style ingeniously integrates the gentle atmosphere of morning-mist lilacs with the classic charm of Tang Dynasty aesthetics in this beizi. Adorned with original Tang-style baoxiang flower pattern prints, it adopts fabric containing tencel and acetate—light yet textured, making it suitable for wearing in spring and autumn. Every movement in it exudes a long-lasting ancient charm.

Shirt: Crafted from lightweight and breathable tencel jacquard fabric, it echoes the overall outfit with a clean white tone that brings a sense of elegance and freshness. It also features a neat round collar, a sleek minimalist silhouette, and white buttons adorned with imitation gold foil—these details make it bloom with dazzling radiance amid its plain and elegant style, exuding refined and understated charm in its simplicity.

Ruqun: As the graceful core piece that carries the subtle beauty of Eastern aesthetics in the entire outfit, it uses an original ink-wash gradient fabric in a hazy ash-purple hue—like thin clouds under the moon, which tells the unique reserved beauty of Eastern color palettes. Its waistband and sash take the deep purple of ancient kiln Tianmu glaze as the base, adorned with Dunhuang-restored woven patterns; this cleverly echoes the soft tones of the round collar shirt and the delicate patterns of the beizi, further highlighting the ancient charm and delicate details of the whole set, while the added pocket design enhances its practicality for daily wear.

Finishing Touches with Tang Dynasty Hanfu Accessories: Details Define the Atmosphere

  • Pibo: Choose one in the same color (with different saturation) as the skirt or a contrasting color. It is about 2 meters long and draped naturally over both arms, which can modify the figure and add linear beauty.
  • Headpieces: For basic styles, use buyao (tasseled hairpins), chāi (hairpins), and zān (hairpins). In the Flourishing Tang period, you can style the wōduò jì (sloping bun) with gold ornaments; for formal occasions, add phoenix hairpins and pearl buyao.
  • Hanfu Shoes: Match them with “embroidered upturned-tip shoes”, with pearls or gemstones embellished on the shoe tips to echo the overall sense of luxury.
  • Atmosphere-enhancing Items: Holding a hand fan (round fan) or a palace lantern and wearing a jade waist belt can instantly create a classic atmosphere.

About The Brand: 池夏

A Treasure Trove for 2.6 Million Hanfu Enthusiasts

Featured Products: Transforming Thousand-Year Elegance into Everyday Romance

Diverse Silhouettes + Themed Bestsellers:From Ming-style square-collar horse-face skirts to Tang-style round-collar robes, Song-style beizi jackets to Jin-style ruqun dresses, covering both traditional forms and modernized designs. Must-have collections include the poetic color palettes of the 24 Solar Terms series, the classical narratives of Twelve Beauties of Jinling, and the viral Persimmon Fish Luck horse-face skirt (the same style showcased at the Dubai Expo!) and the ethereal Pink Mist modern Hanfu—perfect for daily commutes, photo shoots, or ancient-style gatherings.
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